For the greatest (hypothetical) symposium for considerably every music background in the world: where there's beauty even in the chaotic. That's what the logo with all the fancily joined up letters, as well as the intense red background, say.
Yet, the design shows a sleek and even classy look despite all this commotion. I chose an awkwardly wide grotesque (Sporting Grotesque) paired with a futuristic humanist (Lack) and complemented with a childish looking serif (Cormorant). Also, the images are terribly but charmingly photoshopped, which does not represent the actual performers in question but more as an anticipatory guide. There is something quite contrasting yet quite complementing of these elements which once again links back to this show's philosophy.
The first file is an advertisement in order to promote this exhibition, the next two images are applications for the design, and finally the remaining files are the description and the whole itinerary for the symposium.