UNFINISHED

Keywords (comma-separated)

The author

Art is the language I speak and the bible I swear by. My lifelong creative education ranges a beautiful repository of art, music, movement, science, philosophy and youth work. My existence till now has been distilled with insights from my brother’s interest in artificial intelligence and accompanied by the admiration I have for my intellectually intimidating sister. Drawing was used by my mother to help me learn and silence me when I was a nuisance. Thankfully, my father snuck business into all conversations about art, for survival purposes.

Like other millennials, I watched the internet enter it’s adolescence and anonymously sought thrills from fascinating and disturbing chatrooms. I listen to science podcasts and pay attention at futurist talks. Empathy, mental health, social action and being a good ally play a huge role in my projects. As you read this, I’m planning an exhibition exploring how technology has changed the human workforce as a result, impacted our psychological state.

Project media

Documenting ‘unfinished’ photo by Daniel Giblin, 2016
Documenting ‘unfinished’ photo by Daniel Giblin, 2016
Title of the first ‘unfinished’ book, 2015
Title of the first ‘unfinished’ book, 2015
"My fingers were cold” by Sophie Giblin, 2015
"My fingers were cold” by Sophie Giblin, 2015
The first time I gave myself breaks by Sophie Giblin, 2016
The first time I gave myself breaks by Sophie Giblin, 2016
Documenting ‘unfinished’ photo by Daniel Giblin, 2016
Documenting ‘unfinished’ photo by Daniel Giblin, 2016
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Project details

Overview

This ‪repetitive mark making practice plays with themes of ‪inferiority‬, ‪dedication‬ and ‪self improvement‬. There is an element of ‪punishment‬ and ‪consequence‬, if I take my pen of the paper for more than 60 seconds, I stop ‪drawing‬ and write‬ the excuse on the page.

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